1.The Grand Budapest Hotel

1.《布達(dá)佩斯大飯店》

Monsieur Gustave H. (Ralph Fiennes) flawlessly executes his job as concierge at the Grand Budapest Hotel in the Republic of Zubrowka during the political upheavals of the 1930s. Intoning romantic poetry he may have made up on the spot, he attends to the sexual whims of his rich old-lady clients; or, as he says, “I go to bed with all my friends.” Amour and mortality, romance and horror, comedy and tragedy duel to a sumptuous draw in Wes Anderson’s richtorteof a movie — perhaps the most seductively European film ever made by a kid from Houston, Texas. A dizzyingly complex machine whose workings are a delight to behold, the movie has a wry smile for frailties, a watchful eye for tyranny and a heart that, under the circumstances of this dark, fanciful tale, must be called heroic. This is not just an amazing contraption, though it is that; it’s a real, funny, sad movie, whose performances (from Fiennes, Adrien Brody, Jeff Goldblum, Tilda Swinton and dozens of others) are as alert and elegantly composed as the décor. Grand isn’t good enough a word for thisBudapest Hotel. Great is more like it.

在20世紀(jì)30年代的歐洲，古斯塔夫先生（拉爾夫·費(fèi)因斯飾）盡職盡責(zé)地履行著布達(dá)佩斯大飯店看門(mén)員的職責(zé)。他一邊吟誦著自己當(dāng)場(chǎng)編造的詩(shī)句，一邊幻想著和闊太太們發(fā)生一夜情。這部愛(ài)恨交加的影片出自導(dǎo)演韋斯·安德森之手，愛(ài)情和道德、浪漫和恐懼相互交織。這位出生于德克薩斯州休斯敦市的老頑童打造了一部堪稱史上最誘人的歐洲影片。

（翻譯：eileen7 編輯：陳丹妮）